Litprom 2016

It was a busy weekend at Litprom, the Society for the Promotion of African, Asian and Latin American Literature. The 2016 edition of the festival, with the theme ‘New World Literature and the Global South,’ featured 12 authors from Asia, Africa and South America. Together with Amanda Lee Koe from Singapore, we joined a distinguished bevy of writers on a range of panels and discussions.

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Just before the festival, I had the chance to speak at the Metropolitan School Frankfurt to a very endearing and enthusiastic bunch of 9th and 10th Graders about the power and value of poetry. I think my rendition of Dog TV had them thinking about the possibilities of seeing the poetic through the mundane.

Then I had the great pleasure of hanging out with Dirk Huelstrunk, the grandfather of poetry slam in Frankfurt. A true pioneer of slam in the city, nowadays, he trucks in his own cadences, merging sound art through words and loops. The soundscape is emotive, charged with dissonance and urgency and we worked on two pieces, Camera Be and Well Done, which we performed as part of the closing act for the festival. I helmed the rest of the evening, doing favourites such as Made in China and O Holy Torrent as well as newer pieces such as Kenny G. The latter was accompanied with a mash up of Kenny G’s tunes, to much hilarity.

The festival was held over a rainy, windy weekend in Frankfurt. A buzzing business city at best, it empties out during weekends, and the weather seemed to follow, dropping to -5 degrees Celsius in the mornings.

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Sometimes, the best conversations were held over mealtimes. One memorable lunch I had was with Angolan author José Eduardo Agualusa and Brazilian fictionist Luiz Ruffato. We traded stories about ludicrous festival experiences, including one being stuck on a cruise boat floating down the Amazon for a whole week. The audience was a bunch of older women, constantly making ‘literary’ advances, like piranhas circling for the kill.

I had the chance to walk briefly around in the drizzle on the day after the festival, snapping a few photos, and deciding that monochrome best fit the mood of the city.

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The Postcard Project

February was a busy, busy month. But I had the good fortune of partnering with Objectifs to take part in the Postcard Project, an initiative by the National Library Board to pair photographers and writers together to create ten postcards with images of youth in action on one side and creative writing in the form of poetry or flash fiction on the back.

Over the course of three weeks, I worked with documentary photographer Deanna Ang. She taught the photographers the basics and brough them on a couple of field shoots while I helped to guide the writers (some of whom were also the photographers) as we carved small arcs of story into these fleeting moments framed by the lens. In the end, each writer produced four to five pieces of writing, but sadly just one photo and poem/prose piece will be chosen for each photographer/writer pairing.

Here’s a shot of the chosen images:DSCF0155

 

It’s a project that speaks a lot to me, as I see a lot of correlation between the composition of an image and a poem; the deliberation of a frame, the gluttonous act of observation, imagined moments with their plangent emotive thread, spilling out from what was and wasn’t captured by the eye.

Here’s an example featuring a quirky dialogue by Daniela Beltrani paired with a photograph by Chee Wei Teck.

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The postcards come out in March and will be distributed free island-wide, watch out for them!

Portfolio – 2014

 

It’s been a mixed bag of image making this year. Not too much travel, not too much photography work, but enough of everything to create a rather diverse 2014 portfolio. Among other things I photographed my first two lookbooks, travelled to Makassar, Indonesia and fell in love with the streets of Tokyo.

You can download the rest of the portfolio here: Marc Nair – 2014 Portfolio

Reading between the lines

The National Library building at Bras Basah is a fascinating structure. I have returned to photograph it time and time again, and always read something new into its munificent intersections, framed in glass and space.

Bangkok Interregnum

of lapses in continuity and other such contingencies

Morning at Sri Mariamman Temple